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English literature

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  • 23 Dec 2024
    Asha Hornsby

    The Pen and the Scalpel: Vivisection & Late-Victorian Literary Culture

    In 1885, John Ruskin resigned as Slade Professor of Art to protest the establishment a laboratory for experimental physiology at Oxford University. ‘I cannot lecture in the next room to a shrieking cat’, he announced, ‘nor address myself to the men who have been – there is no word for it.’ The word that Ruskin […]

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  • 19 Dec 2024
    Lee Morrissey

    Milton’s Ireland

    The English author John Milton, who never set foot in Ireland, has long been a consequential presence there nonetheless.  Since 1890, for example, visitors to the National Library of Ireland in Dublin have entered through a semicircular lobby in which a beatific face of John Milton shone down on them as they arrived.  In order […]

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  • 17 Dec 2024
    Lindsay Wilhelm

    Taste, Evolution, the Victorians, and You

    What do you feel when you look at something beautiful? Take this honeysuckle pattern, copied from a Greek vase. As your eyes trace its symmetrical curves, can you feel your “two lungs draw in a long breath”? Do those inhalations give you a “sense of expansion,” or a “vague feeling of harmony”? How about your […]

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  • 17 Dec 2024
    Manu Samriti Chander

    The Cambridge Companion to Romanticism and Race

    The English poet John Keats died in 1821, and almost immediately his friend Joseph Severn began working on the portrait of Keats that hangs in the National Portrait Gallery in London. Severn painted from memory, capturing Keats sitting among his books – one of which he is reading –  in his home at Hampstead Heath. […]

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  • 5 Dec 2024
    Rachel Potter, Matthew Taunton

    The British Novel of Ideas

    What does it mean to write a novel of ideas? These are works of fiction that foreground debate and disputation-like the discussions of Zionism in George Eliot’s Daniel Deronda, the politico-religious arguments in G.K. Chesterton’s The Man Who Was Thursday, the utopian speculations of H.G. Wells’s A Modern Utopia, the debates about Communism in Doris […]

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  • 5 Sep 2024
    John Cleland, Peter Sabor, Richard Terry, Helen Williams

    John Cleland Plays Dead?

    John Cleland, best remembered as the author of the erotic novel Memoirs of a Woman of Pleasure (1748-49), was a tricksy and entertaining correspondent. His letters, just published by Cambridge University Press, reveal his attempts to insinuate himself with the rich and powerful at the same time as he teased them for what he perceived to be […]

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  • 13 Aug 2024
    Noam Reisner

    Performing Ethics in English Revenge Drama

    Performing Ethics in English Revenge Drama: Wild Play seeks to demonstrate that the overwhelming popularity of revenge drama in the English Renaissance is best understood in the context of the unique ethical effects it generates in its intended audience during a putative performance. Adapting Francis Bacon’s notion of revenge as a ‘kind of wild justice’, […]

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  • 13 Aug 2024
    Theophilus Savvas

    Literary Vegetarianism & Veganism

    ‘Diet’ is derived from the Greek diaita, meaning ‘way of life’, so that what we eat is intimately connected with who we perceive ourselves to be. Historically, those who chose to abstain from the eating of animal flesh were outsiders, frequently viewed with suspicion; today, vegetarianism and veganism are part of identity politics. There is […]

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