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This year’s edition of the annual World New Music Days by the International Society for Contemporary Music (ISCM) took place on the Faroe Islands. Alongside the host nation, the opening concert featured works by composers from South Africa, Norway, Lithuania, the Czech Republic, Slovakia and China.[1] In the previous year, when the organisation celebrated its […]
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How do we learn to listen? Like most worthwhile things, listening well takes time, practice, and perseverance. While it might seem like good music ought to reveal its fruits intuitively to curious listeners, even the most visceral and immediate connection to music is a complex interchange of expectations and experiences. The most skilled composer guides […]
Read MoreGiotto’s Arena Chapel and the Triumph of Humility takes its lead from three features of the famous monument that each engage the question of time, material, and immateriality: 1. the painted, faux marble panels that line the interior of the chapel, 2. the faded polychrome relief figures of the virtues and vices in the lowest […]
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Why engage with a canonical playwright? Isn’t there enough work to do trying and recovering the works of playwrights who have all but been erased from the canon of Irish theatre history and whose plays have not made it past the stage of the premiere production? Do the plays of J. M. Synge still speak […]
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Image Credit: Elvira Puccini, Giacomo Puccini, Antonio Puccini Archivio Storico Ricordi, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons Giacomo Puccini is one of the world’s most famous and beloved opera composers and rarely a season goes by when any given opera company will not stage one or another of his works. You might be forgiven […]
Read MoreState of the Arts is an account of the unique German public theatre system through the prism of a migrant artistic institution in the western post-industrial Ruhr region. It analyses how artistic traditions have responded to social change, racism, and cosmopolitan anxieties and recounts how critical contemporary cultural production positions itself in relation to the […]
Read MoreHow did a large collection of Chinese porcelain end up in a court in Northern Italy in the late fifteenth century? That was the question that started my book project off. It brought me to various places around the globe, following the potential trajectories of the Chinese porcelain that was recorded in a 1493 inventory […]
Read MoreMichelangelo began complaining about his age in the 1520s, when he would have been in his late 40s and early 50s. For example, in October, 1525, the artist declared, “I’ll always go on working for Pope Clement with such powers as I have, which are slight, as I’m an old man.” Although he was already […]
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