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  • 24 Oct 2024
    Sarah E. Chinn

    Amputation Nation: Loss, Memory, and Reconstructing the Racial Order

    Starting in 2015, in the wake of the shooting of ten members of the Emmanuel AME Church in Charleston, SC by white supremacist Dylann Roof, a movement grew to dismantle the icons of the Confederacy throughout the South. Shortly after the shooting, Bree Newsome climbed up a flagpole on the grounds of the South Carolina […]

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  • 15 Oct 2024
    Aileen Douglas, Ian Campbell Ross

    ‘The spoiled child of our literature’: Goldsmith’s The Vicar of Wakefield

    ‘Read as one of the masterpieces by a person not acquainted with our literature, it might easily give an impression that this literature is not immense’. Henry James’s words in his introduction to a 1900 edition of Oliver Goldsmith’s The Vicar of Wakefield are a far cry from the unrestrained enthusiasm publishers expect from editors […]

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  • 18 Sep 2024
    Verna Kale, Sandra Spanier

    Hemingway and Writing for the “Long Future”

    Volume 6 of The Letters of Ernest Hemingway, spanning June 1934 through June 1936, includes 366 items of correspondence, directed to 116 recipients. In our introductions to the volume, we note that Hemingway’s enthusiasm for the growing sport of deep-sea fishing is a dominant theme of his letters of this period. Accordingly, in the photos […]

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  • 5 Sep 2024
    Peter Sabor, Richard Terry, John Cleland, Helen Williams

    John Cleland Plays Dead?

    John Cleland, best remembered as the author of the erotic novel Memoirs of a Woman of Pleasure (1748-49), was a tricksy and entertaining correspondent. His letters, just published by Cambridge University Press, reveal his attempts to insinuate himself with the rich and powerful at the same time as he teased them for what he perceived to be […]

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  • 14 Aug 2024
    David Stewart, John Gardner

    Nineteenth-Century Literature in Transition: The 1830s

    Not long after we submitted this book for production, Zadie Smith’s new novel, The Fraud, was published. It was something of a surprise, largely a welcome one, that it seemed to have so many references in common with the book we had just finished. The Fraud is Smith’s first historical novel. She focuses on a […]

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  • 13 Aug 2024
    Noam Reisner

    Performing Ethics in English Revenge Drama

    Performing Ethics in English Revenge Drama: Wild Play seeks to demonstrate that the overwhelming popularity of revenge drama in the English Renaissance is best understood in the context of the unique ethical effects it generates in its intended audience during a putative performance. Adapting Francis Bacon’s notion of revenge as a ‘kind of wild justice’, […]

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  • 13 Aug 2024
    Theophilus Savvas

    Literary Vegetarianism & Veganism

    ‘Diet’ is derived from the Greek diaita, meaning ‘way of life’, so that what we eat is intimately connected with who we perceive ourselves to be. Historically, those who chose to abstain from the eating of animal flesh were outsiders, frequently viewed with suspicion; today, vegetarianism and veganism are part of identity politics. There is […]

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  • 23 Apr 2024
    Patricia Gaborik

    Luigi Pirandello. Loving the theatre, in spite of it all

    Luigi Pirandello, far left, attends the Maria Melato Company’s rehearsal of his play Lazarus, 1929. Online collection of the Istituto di Studi Pirandelliani e sul Teatro Contemporaneo, Rome “I’m sorry to hear that, still, nearly on the eve of the shows, many things are missing, which, with so much lead time, should have been ready. But we’re […]

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