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Allan Hepburn
Thirty years ago, I planned to write a book about Elizabeth Bowen, the Anglo-Irish novelist and short story writer. With a monograph in mind, I assembled Bowen’s essays and reviews scattered across various magazines and newspapers. What started as a few items retrieved from obscurity quickly snowballed into hundreds. I began visiting archives and fitting […]
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Ross Cole
The fourth track on Bob Dylan’s Bootleg Series Volume 1 is a song called ‘No More Auction Block’. The melody is simple, rising and falling in hymn like steps over acoustic guitar. The song’s lyrics are also simple and adamantly clear—a call to end the horrifying spectacle of Black humans being sold as slaves, objects […]
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Katherine G. Charles
When is interruption an art form? Short answer: the eighteenth-century novel. Interrupting another speaker gets a bad rap: common charges lodged against listeners who jump the queue maintain that interrupters are pushy, rude, impatient, or, at the least, distracting. Certainly, the first generation of emerging novel theorists directed similar rhetoric against the cacophony of tale-tellers […]
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Dominik Berrens
Everyone who discovers a new species nowadays has the right to name it. This name has to conform to rather intricate rules established by international professional associations. These conventions can be traced back to the eighteenth century, when Carl Linnaeus (1707–1778) introduced a taxonomic nomenclature based on a binomial system: every species receives a two-part […]
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Christopher R. Mooney
Other than Paul, no writer has had greater influence on the theology of justification than Augustine. In the preface to his Latin works, Martin Luther famously narrated his discovery of the justifying righteousness of God: first he says he read Paul’s Letter to the Romans, but the very next author he turned to for confirmation […]
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Toby Young, Hillegonda C Rietveld
Though associated with nighttime dance parties and clubs, electronic dance music has saturated many aspects of contemporary culture. We hear it in adverts and shops. Even some restaurants employ a DJ to play dance music, although people are seated to eat and are unlikely to get up for a boogie. According to Google’s Ngram viewer, […]
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Robert MacSwain
This book brings together two vibrant academic discourses that have rarely interacted beforehand: religious epistemology and comparative hagiography. Inspired by Austin Farrer’s provocative claim that ‘the saint is our evidence’, it presents what I propose we call the ‘hagiological argument for the existence of God’- that is, the idea that human lives of remarkable holiness […]
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Elizabeth R. Macaulay
Nashville is often associated with music; it is home to the Grand Ole Opry and claims to have the most recording studios of any American city. But its most iconic building may be a full-scale replica of the Parthenon, the most famous temple from 5th-century-BCE Athens. So you might ask: why is there a Parthenon […]
Read More
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Allan Hepburn
Thirty years ago, I planned to write a book about Elizabeth Bowen, the Anglo-Irish novelist and short story writer. With a monograph in mind, I assembled Bowen’s essays and reviews scattered across various magazines and newspapers. What started as a few items retrieved from obscurity quickly snowballed into hundreds. I began visiting archives and fitting […]
Read More
-
Ross Cole
The fourth track on Bob Dylan’s Bootleg Series Volume 1 is a song called ‘No More Auction Block’. The melody is simple, rising and falling in hymn like steps over acoustic guitar. The song’s lyrics are also simple and adamantly clear—a call to end the horrifying spectacle of Black humans being sold as slaves, objects […]
Read More
-
Katherine G. Charles
When is interruption an art form? Short answer: the eighteenth-century novel. Interrupting another speaker gets a bad rap: common charges lodged against listeners who jump the queue maintain that interrupters are pushy, rude, impatient, or, at the least, distracting. Certainly, the first generation of emerging novel theorists directed similar rhetoric against the cacophony of tale-tellers […]
Read More
-
Dominik Berrens
Everyone who discovers a new species nowadays has the right to name it. This name has to conform to rather intricate rules established by international professional associations. These conventions can be traced back to the eighteenth century, when Carl Linnaeus (1707–1778) introduced a taxonomic nomenclature based on a binomial system: every species receives a two-part […]
Read More
-
Christopher R. Mooney
Other than Paul, no writer has had greater influence on the theology of justification than Augustine. In the preface to his Latin works, Martin Luther famously narrated his discovery of the justifying righteousness of God: first he says he read Paul’s Letter to the Romans, but the very next author he turned to for confirmation […]
Read More
-
Toby Young, Hillegonda C Rietveld
Though associated with nighttime dance parties and clubs, electronic dance music has saturated many aspects of contemporary culture. We hear it in adverts and shops. Even some restaurants employ a DJ to play dance music, although people are seated to eat and are unlikely to get up for a boogie. According to Google’s Ngram viewer, […]
Read More
-
Robert MacSwain
This book brings together two vibrant academic discourses that have rarely interacted beforehand: religious epistemology and comparative hagiography. Inspired by Austin Farrer’s provocative claim that ‘the saint is our evidence’, it presents what I propose we call the ‘hagiological argument for the existence of God’- that is, the idea that human lives of remarkable holiness […]
Read More
-
Elizabeth R. Macaulay
Nashville is often associated with music; it is home to the Grand Ole Opry and claims to have the most recording studios of any American city. But its most iconic building may be a full-scale replica of the Parthenon, the most famous temple from 5th-century-BCE Athens. So you might ask: why is there a Parthenon […]
Read More
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