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22
May
2025

Reinventing a Nation: How Zionism Tried to Reimagine Jewish Identity

Yaron Peleg

Zionism wasn’t just a political movement, it was a bold cultural experiment. At its heart was an ancient story: the idea that the Jewish people had a historic connection to the land of Palestine. But in the late 19th century, when Zionism began to take shape, that connection was more mythical than real. The modern Jewish world looked very different from the ancient one, so if Jews were going to return to this land and build a nation, they had to reinvent themselves completely.

That’s what early Zionists set out to do. They believed that to make a modern Jewish homeland possible, they had to reshape what it meant to be Jewish. This meant breaking away from centuries of life in the Diaspora, where Jewish identity had been shaped by religion, study, and community, and replacing it with something new: a national identity rooted in the ideas of a modern nationalism that stressed history, religion, language, and territory.

This process began in earnest in 1897 with the First Zionist Congress in Basel and culminated in 1948 with the creation of the state of Israel. During those fifty years, Zionist thinkers and activists weren’t just buying land or organizing settlements, they were shaping a new Jewish culture. And they did it with remarkable intensity and purpose.

To understand what prompted this cultural transformation, it helps to look at what was happening in Europe at the time. After the French Revolution, Jews were gradually granted civil rights and legal equality in many countries. But this newfound acceptance came with a catch. As Jews became more visible in society, new forms of resentment emerged—less religious, more racial and nationalistic.

In this new climate, Jews were often portrayed as outsiders who couldn’t truly belong. Jewish men, in particular, were mocked as weak or effeminate, seen as the opposite of the strong, masculine ideal prized by European nationalism. These stereotypes were tied to centuries of exclusion from military and political life.

Zionism turned this narrative on its head. If Jews were seen as weak in Europe, Zionists argued, then they needed a place where they could prove their strength, and that place was their ancestral homeland. There, they could build a society that showcased Jewish independence, power, and pride.

The Cultural Revolution of Zionism

What’s striking is how much of this transformation was about culture, not just politics. The early Zionists didn’t just want to establish a state, they wanted to craft a whole new way of being Jewish and the book looks closely at six of the main ways they did it:

  1. Language & Literature
    Reviving Hebrew, a language that had mostly been used in religious contexts, and turning it into the language of everyday life, literature, and national identity.
  2. Space & Place
    Building farms and towns that reflected their ideals, places that symbolized Jewish sovereignty and community, often grounded in socialist values.
  3. The “New Jew”
    Promoting the idea of the “muscular Jew”, strong, self-reliant, capable of farming, building, and defending the homeland. This was a direct response to the old stereotypes of Jewish weakness.
  4. New Holidays & Symbols
    Reimagining the Jewish calendar to emphasize agricultural themes and military heroism, tying the new culture to the land and its ancient history.
  5. Art & Aesthetics
    Cultivating a distinct Jewish art that was modern, national, and proud, often blending European styles with Jewish symbols and themes.
  6. Music & Sound
    Creating new musical styles that fused Western classical traditions with Middle Eastern sounds and traditional Jewish melodies, reflecting the diverse roots of the emerging culture.

All of this helped forge a national identity that could unify a very diverse group of people, many of whom had little in common besides a shared heritage and history of persecution.

Complicated Legacies

Like any major movement, Zionism’s cultural revolution came with its own set of complications, some of which continue to shape debates today.

For one, the Zionist relationship with colonialism has always been fraught. Many early Zionists viewed Palestine as a “land without a people,” overlooking or outright ignoring the fact that it was already home to thriving Arab communities. Though some voices within the movement warned of this early on, their concerns were rarely prioritized. The consequences of that oversight are still deeply felt.

Gender inequality is another tension that ran through the Zionist project. Despite its roots in socialist and supposedly egalitarian ideals, the movement often reproduced the same traditional gender roles it claimed to move beyond. Women were central to the Zionist story, but they were frequently placed in supporting roles, left out of leadership and decision-making spaces.

Then there’s the issue of whose story got to define Zionism in the first place. The movement was largely built by European (Ashkenazi) Jews, and their worldview dominated the early years of cultural formation. Jews from Middle Eastern and North African backgrounds often found themselves sidelined or treated as outsiders in a movement that claimed to speak for all Jews. That imbalance has never fully gone away.

So, What’s the Takeaway?

Zionism was more than a political movement, it was a dramatic, all-encompassing effort to reinvent Jewish identity for the modern world. It didn’t just build a state; it built a culture, one that has had a lasting impact on both Israeli society and global Jewry.

But like any grand project, it left questions unanswered and problems unresolved. This book takes us back to those early decades to explore the passion, creativity, and contradictions that shaped Zionism’s cultural revolution. It helps us understand not just where Israel came from, but what it set out to be and how that vision continues to evolve today.

New Hebrews by Yaron Peleg

About The Author

Yaron Peleg

Yaron Peleg is Kennedy-Leigh Professor in Modern Hebrew Studies at the University of Cambridge. His monographs include Orientalism and the Hebrew Imagination (2005) and Directed by...

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