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  • 1 Oct 2020
    Tim Dolin

    Editing Hardy’s ‘The Return of the Native’

    My daughter is taking an undergraduate course in Shakespearean theatre this semester, and one of her foundation readings is Elinor Fuchs’s influential short essay, ‘E.F.’s Visit to a Small Planet: Some Questions to Ask a Play’. Having spent long periods over several years on a small planet of my own, Thomas Hardy’s Egdon Heath, this […]

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  • 1 Oct 2020
    Richard Nemesvari

    Editing Thomas Hardy’s ‘Desperate Remedies’

    In some ways producing a scholarly edition of Desperate Remedies is easier than editing other Hardy novels, first of all because there is no extant manuscript. The story is that after he completed the text Hardy was moving lodgings, and when he discovered that the MS wouldn’t fit in his portmanteau, he destroyed it rather […]

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  • 3 Sep 2020
    Daniel Cook

    Stealing Poetry

    “To steal a Hint was never known, But what he writ was all his own.” – Verses on the Death of Dr Swift, D.S.P.D. Part way through his most famous self-elegy, Jonathan Swift delivers one of the greatest one-line gags in poetry: ‘what he writ was all his own’. The ostensibly proprietorial phrase was brazenly […]

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  • 21 Aug 2020
    Daniel Cook

    Stealing Poetry

    “To steal a Hint was never known,But what he writ was all his own.” Verses on the Death of Dr Swift, D.S.P.D. Part way through his most famous self-elegy, Jonathan Swift delivers one of the greatest one-line gags in poetry: ‘what he writ was all his own’. The ostensibly proprietorial phrase was brazenly lifted from […]

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  • 20 Aug 2020
    Lara Harb

    Wonder in the Time of COVID or What Arabic Aesthetics can Teach Us

    There are not many good things about this COVID-19 era we are living in. One of the few positive side effects one might celebrate, though, is that it has permitted many of us to rediscover the joys of slowing down and paying attention to things that we have been otherwise thoughtlessly passing by, looking at […]

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  • 13 Aug 2020
    Mark Nixon

    Prague

    When Covid-19 ushered in a new reality and borders began to close in February 2020, I found myself in Prague, the city of Franz Kafka and Václav Havel. Rather suitable companions in such strange and absurd times, I thought. But somehow too obvious. Indeed, for the older citizens of Prague (and of course the Czech […]

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  • 6 Aug 2020
    Angela Wright, Dale Townshend

    Editorial Reflections: The Cambridge History of the Gothic, Volumes I and II

    The invitation that we received to conceptualise and edit the multi-volume The Cambridge History of the Gothic in 2015 was both exciting and daunting: exciting insofar as it provided a unique and privileged opportunity to make crucial, field-defining interventions in the realm of Gothic Studies, yet daunting since, all practical and logistical considerations aside, we […]

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  • 3 Aug 2020
    Kirk Curnutt, Suzanne del Gizzo

    Diving into the Next Wave of Hemingway Studies

    Even in this strangest of summers, when social distancing leaves us feeling we’re living in suspended animation, the art of the dive can teach us about poise and exploration—the walk to the edge, the glance down into faraway water, the prickle of fear, the headlong leap, the thrill of hurtling through air, and, finally, the […]

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