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The afterlife as envisioned by medieval Europeans was both a strange and familiar place. For us, hell conjures images of fiery rivers and demons, while heaven calls to mind shining white figures in repose. The same things appear in medieval descriptions. Yet these same texts, which were frequently based on the supposed reports of the […]
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The New Irish Studies powerfully demonstrates how thoughtful close readings and diverse critical approaches enhance our understanding of twenty-first-century Irish writing. Across recent decades, the Republic and Northern Ireland have experienced monumental cultural, economic, and political transformations. Amid these, Irish literature has flourished, drawing international audiences and accolades for a wide array of writers publishing […]
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When I started to dream up my book Paper in Medieval England: from Pulp to Fictions, I wanted to find out why medieval people were interested in paper and how paper became a success story in pre-modern times. It was a project of discovery as well as deep frustration. Paper seemed to have quite a […]
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The first thing to say for any reader who is not familiar with scholarly editions like this of Hardy’s fiction, is that it is different from all others and really significant. It gives, if you combine the text with the footnotes on the same page, the whole history of Hardy’s imaginative involvement with each work, […]
Read MoreMy love affair with The Woodlanders began many years ago when I covered much of the groundwork for a scholarly edition while doing my MA —entitled “Materials for an edition of Thomas Hardy’s The Woodlanders”. Much of the enjoyment for me as a textual editor is to see the development of a work and in […]
Read MoreMy daughter is taking an undergraduate course in Shakespearean theatre this semester, and one of her foundation readings is Elinor Fuchs’s influential short essay, ‘E.F.’s Visit to a Small Planet: Some Questions to Ask a Play’. Having spent long periods over several years on a small planet of my own, Thomas Hardy’s Egdon Heath, this […]
Read MoreIn some ways producing a scholarly edition of Desperate Remedies is easier than editing other Hardy novels, first of all because there is no extant manuscript. The story is that after he completed the text Hardy was moving lodgings, and when he discovered that the MS wouldn’t fit in his portmanteau, he destroyed it rather […]
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“To steal a Hint was never known, But what he writ was all his own.” – Verses on the Death of Dr Swift, D.S.P.D. Part way through his most famous self-elegy, Jonathan Swift delivers one of the greatest one-line gags in poetry: ‘what he writ was all his own’. The ostensibly proprietorial phrase was brazenly […]
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