In May 1975 Elizabeth Bishop replied to a letter from a complete stranger called Miss Pierson asking her a series of questions about how both to write and understand poetry. Bishop kept up a lifelong correspondence with numerous friends and fellow poets, including Marianne Moore, Robert Lowell and May Swenson, but she didn’t usually reply […]
Read MoreWhen people learn that I’ve been working on a book on nineteenth-century Scottish women writers, they frequently ask ‘were there any’? This is an understandable question. In fact, it’s the question that motivated me to write Scottish Women’s Writing in the Long Nineteenth Century. I wondered why England and the United States saw a substantial […]
Read MoreVoting laws recently passed or awaiting passage in Republican-controlled state legislatures along with the outrageous vote “audit” ongoing in Arizona have been widely covered in the press through a focus on the racial animus that underlies them. Rightly so, given the Republican Party’s increasingly explicit embrace of white-identity politics and the evidence from Georgia, where […]
Read MoreWhen Netflix released its limited series “The Queen’s Gambit” last year, who would have predicted that a show about a girl chess prodigy would reach the # 1 spot in 63 countries? The international success of the series (based on the 1983 novel by Walter Tevis) suggests that audiences across the globe were eager to […]
Read MoreIn a time when heat domes, wildfires, and floods regularly author human and nonhuman tragedy, the nature and magnitude of human-driven climate change understandably dominates media headlines, bestseller lists, and streaming-service titles alike. Ecological issues – and the roles of human beings within them – continue to attract the energies of artists and audiences, whether […]
Read MoreImage: courtesy of the Mailer historical archives
Read MoreThis month, we celebrate publication of A History of Irish Women’s Poetry. I asked a handful of the volume’s authors to tell us something about each of their chapters. Máirín Ní Dhonnchadha, NUI Galway: ‘Women in the Medieval Poetry Business’ Úallach (†934) daughter of Muimnechán is called banḟile Érenn in her obituary, a title that […]
Read MoreShortly after William Shakespeare’s famous words, “all the world’s a stage,” were uttered in the opening performance of As You Like It in the new Globe theater, the Red Dragon set sail to found the East India Company’s first factories. Coincidentally, the same ship, docked off the coast of Sierra Leone, was the site of […]
Read MoreIn May 1975 Elizabeth Bishop replied to a letter from a complete stranger called Miss Pierson asking her a series of questions about how both to write and understand poetry. Bishop kept up a lifelong correspondence with numerous friends and fellow poets, including Marianne Moore, Robert Lowell and May Swenson, but she didn’t usually reply […]
Read MoreWhen people learn that I’ve been working on a book on nineteenth-century Scottish women writers, they frequently ask ‘were there any’? This is an understandable question. In fact, it’s the question that motivated me to write Scottish Women’s Writing in the Long Nineteenth Century. I wondered why England and the United States saw a substantial […]
Read MoreVoting laws recently passed or awaiting passage in Republican-controlled state legislatures along with the outrageous vote “audit” ongoing in Arizona have been widely covered in the press through a focus on the racial animus that underlies them. Rightly so, given the Republican Party’s increasingly explicit embrace of white-identity politics and the evidence from Georgia, where […]
Read MoreWhen Netflix released its limited series “The Queen’s Gambit” last year, who would have predicted that a show about a girl chess prodigy would reach the # 1 spot in 63 countries? The international success of the series (based on the 1983 novel by Walter Tevis) suggests that audiences across the globe were eager to […]
Read MoreIn a time when heat domes, wildfires, and floods regularly author human and nonhuman tragedy, the nature and magnitude of human-driven climate change understandably dominates media headlines, bestseller lists, and streaming-service titles alike. Ecological issues – and the roles of human beings within them – continue to attract the energies of artists and audiences, whether […]
Read MoreImage: courtesy of the Mailer historical archives...
Read MoreThis month, we celebrate publication of A History of Irish Women’s Poetry. I asked a handful of the volume’s authors to tell us something about each of their chapters. Máirín Ní Dhonnchadha, NUI Galway: ‘Women in the Medieval Poetry Business’ Úallach (†934) daughter of Muimnechán is called banḟile Érenn in her obituary, a title that […]
Read MoreShortly after William Shakespeare’s famous words, “all the world’s a stage,” were uttered in the opening performance of As You Like It in the new Globe theater, the Red Dragon set sail to found the East India Company’s first factories. Coincidentally, the same ship, docked off the coast of Sierra Leone, was the site of […]
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Johan Adam Warodell is the author of the monograph Conrad’s Decentered Fiction (Cambridge University Press 2022) and numerous articles on Joseph Conrad. He is a Trustee of the Joseph Conrad Society of America and a Research Associate at the University of Sussex.
Montclair State University, New Jersey
Heather Hirschfeld is a Professor of English at the University of Tennessee.
Alice Tranah grew up in Cambridge and, after studying history at University, fell delightely into life as a bookseller, first in London and then here for Cambridge University Press Bookshop.
Canterbury Christ Church University, Kent
Associate Professor in English and Creative Writing, University of Reading
University of Pennsylvania
University of Cambridge
Staff Scientist, Brigham and Women’s Hospital, Department of Neurology with affiliation to The Broad Institute of Harvard and MIT.
Speaking Shakespeare Today
Helen Wilcox, Professor of English at Bangor University
Playing Hesiod
Shakespeare’s Possible Worlds
The Cambridge Companion to American Civil Rights Literature
Yeats and European Drama
Nineteenth-Century American Literature and the Long Civil War
Grief and Women Writers in the English Renaissance
Imagining Medieval English
The Cambridge Companion to French Literature
The Cambridge Introduction to Theatre and Literature of the Absurd
Paul Salzman is Emeritus Professor of English at La Trobe University, Australia.
Sarah C. E. Ross is Senior Lecturer in the English Programme, at Victoria University of Wellington.
Stuart Sillars is Professor of English at the University of Bergen, Norway.
Dictionary of Irish Biography
The Cambridge Introduction to William Wordsworth
The Poetry of War
Doubt and Skepticism in Antiquity and the Renaissance
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You Know what I Mean?
Samuel Johnson, the Ossian Fraud, and the Celtic Revival in Great Britain and Ireland
The Cambridge Companion to Bob Dylan
Japan Rising
The Cambridge Companion to Baseball
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College Marketing Associate
The Cambridge Companion to Baseball
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London: A Social and Cultural History, 1550–1750
The American 1930s
The Places of Wit in Early Modern English Comedy
The King James Bible after Four Hundred Years
The King James Bible after Four Hundred Years
The Cambridge Companion to Creative Writing
London: A Social and Cultural History, 1550-1750
The Cambridge Introduction to Charles Dickens
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The Letters of Ernest Hemingway, Volume 1
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Literary Criticism from Plato to Postmodernism
From Dickens To Dracula
A Reference Grammar of French
The Short Story and the First World War
Mrs Dalloway
Gender and Race in Antebellum Popular Culture
The Cambridge Companion to Modernist Culture
The Cambridge Companion to American Science Fiction
Popular Literature, Authorship, and the Occult in Late Victorian Britain
Paradise Lost and the Cosmological Revolution
Ovid and Hesiod
Reading and Writing during the Dissolution
Cambridge Companion to Popular Fiction
Cambridge Companion to Popular Fiction
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The Cambridge Companion to \'Pride and Prejudice\'
The Cambridge Companion to Football
Failure and the American Writer
Eating and Ethics in Shakespeare\\\\\\\'s England
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