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  • 21 Apr 2022
    Figure 1: Catalogue from Shakespeare's First Folio (1623; STC 22273). Harry Ransom Center, The University of Texas at Austin. Shelf mark PFORZ 905 PFZ.
    AMY LIDSTER

    Making History: Shaping the Past through Print

    Figure 1: Catalogue from Shakespeare's First Folio (1623; STC 22273). Harry Ransom Center, The University of Texas at Austin. Shelf mark PFORZ 905 PFZ.

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  • 31 Mar 2022
    Jakob Norberg

    The Brothers Grimm and the Making of German Nationalism

    In a magazine illustration based on a painting by Louis Katzenstein, Jacob and Wilhelm Grimm sit and listen to the folk tales told by Dorothea Viehmann, an inn-keeper’s daughter who knew a wealth of stories, many of which appeared in the Grimms’ famous collection Children’s and Household Tales. It’s an idealized picture of how an […]

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  • 21 Mar 2022
    Stephen H. Gregg

    Reading the changing platforms of Eighteenth Century Collections Online

    Reading the changing platforms of Eighteenth Century Collections Online. In Old Books and Digital Publishing: Eighteenth Century Collections Online, I analysed the various interfaces to Gale’s Eighteenth Century Collections Online (ECCO), including Jisc’s Historical Texts as well as Gale’s various platforms. However, since the book was published both Gale and Jisc have modified these interfaces, […]

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  • 21 Mar 2022
    Roanne Kantor

    South Asian Writers, Latin American Literature, and the Rise of Global English

    I have the great honor of inaugurating a new series on World Literature at Cambridge University Press. Long, long ago, before I ever dreamed of writing such a book, I was introduced to the debates on world literature through Susan Sontag’s 2005 essay “The World as India.”  At the time, I was very much not […]

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  • 14 Mar 2022
    Anne E. Linton

    New Pronouns and Old Stories: Nonbinary Narratives in Nineteenth-Century France

    The English language comes ready-made with the gender-neutral third person pronoun “they,” and a history stretching back before Shakespeare of using it in a singular context for that very purpose. Grammatically speaking, pronouns are a bit trickier in French. There is no gender-neutral third person equivalent of “they” in French. At least there wasn’t, officially, […]

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  • 2 Mar 2022
    Shane Herron

    Irony and Earnestness in Eighteenth-Century Literature

    Political astrology is one of those idiosyncratic 18th century genres that seem bizarre to the modern sensibility.[1] Despite this unfamiliarity, I would suggest that a close analogue of political astrology has fiercely reasserted itself in the guise of the so-called “QAnon” conspiracy theory. Initially an obscure phenomenon relegated to the internet demimonde, it gradually began […]

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  • 24 Feb 2022
    Sarah Burton, Jem Poster

    Advice for fiction writers

    Writers looking for guidance as they embark on their first novel or short story will often come across neat formulations – little nuggets of advice that can be easily swallowed: ‘Write what you know’; ‘Show, don’t tell’.             Too easily swallowed, perhaps. One of the reasons we wrote The Book You Need to Read to […]

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  • 15 Feb 2022
    Catriona Livingstone

    Virginia Woolf, Science, Radio and Identity

    Sometimes, during research, what appears to be a narrow, well-charted path opens out into a startling vista. In 2016, my PhD supervisor, Anna Snaith, advised me to look at the transcripts of early radio broadcasts that were printed in the BBC magazine The Listener. I had just begun the research for a PhD thesis on […]

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