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With the pandemic still looming above us, thoughts of passing away may have crossed your mind repeatedly over the last while. Those thoughts, revolving around a kernel of inert fear, most likely did not take hold for very long but were brushed aside and stifled with everyday urgent matters. Our culture, after all, tends to […]
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Philadelphia, Rosenbach Museum and Library, MS 439/16, f. 74r (detail): John Lydgate, The Fall of Princes. Image courtesy of The Rosenbach, Philadelphia.
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On 14 May Boris Johnson announced that preparations have been made to ship 50 ‘illegal’ immigrants from the UK to Rwanda, a country to which they have no connection. This is a cruel and baffling piece of policy, but it is not without precedent. In the late eighteenth century, Black loyalists who had fought for […]
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Peter Brook’s The Empty Space famously begins, I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.[1] Playing and Playgoing in Early Modern England: Actor, […]
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Though best known for its unusual, first-person-plural narrator (a group of office-workers speaking as “we”), Joshua Ferris’s Then We Came to the End (2007) also includes a single third-person chapter, which focuses on the workers’ otherwise “unapproachable” boss, Lynn Mason. Later we learn this interlude is part of a novel-within-the novel written by another character, […]
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As a scholar of the literature of climate change, I am often asked, “Can books save the planet?”. Well, not literally, no. But I do believe that fictional narratives in which characters respond to climate crises act as thought experiments—or, indeed, as ‘feeling experiments’—for the reader’s potential response. I believe that fictional, poetic, or dramatic […]
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Everybody’s talking about race, but not many seem to know what it is, or where it came from. That’s understandable, for there’s not a single story of the history of race to be written. How concepts of race were developed, and what they came to over time, is different for different global regions and different […]
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For centuries, scholars have characterized eighteenth-century literary satire as an aggressive and specifically masculine practice and genre. This perception is clearly apparent in twentieth-century literary theory, in which critical investigations of satire focused almost exclusively on a handful of male writers (Pope, Swift, Dryden, Rochester, etc.) and repeatedly affirmed that, in the words of David […]
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