Tag Archives: Music behind the Iron Curtain
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Daniel Elphick
The fraught atmosphere of surveillance and intimidation has long made twentieth-century Russian music a fascinating area of study. Music audiences, performers, and scholars alike have been engrossed by the all-too recent time when the state directly interfered in matters of music-making and composers lived in fear. The Soviet Union was larger than just Russia, of […]
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Daniel Elphick
The fraught atmosphere of surveillance and intimidation has long made twentieth-century Russian music a fascinating area of study. Music audiences, performers, and scholars alike have been engrossed by the all-too recent time when the state directly interfered in matters of music-making and composers lived in fear. The Soviet Union was larger than just Russia, of […]
Read More
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