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  • 14 Jun 2018
    Conor Carville

    Samuel Beckett and the Visual Arts

    The magnificent collection of Samuel Beckett’s manuscripts, notebooks, letters and other material held here at Reading was fundamental to the research for my new book Samuel Beckett and the Visual Arts, which has just come out from Cambridge University Press. To take one example, I vividly remember, early on, calling up a tattered old jotter. […]

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  • 12 Jun 2018
    David McKitterick

    The Invention of Rare Books

    David McKitterick examines, for the first time, the development of the idea of rare books, and why they matter.

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  • 8 May 2018
    John Richetti

    Three-hundred years of Daniel Defoe’s Robinson Crusoe

    2019 marks the tercentenary of Daniel Defoe’s Robinson Crusoe (1719), a novel that achieved instant popularity in Britain (Defoe wrote a sequel, The Farther Adventures of Robinson Crusoe, which appeared the same year and was published with the first part throughout the century). Quickly translated into French, German, and Dutch, since then Defoe’s book has […]

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  • 19 Mar 2018
    Alice Tranah

    Notes of a Bookseller: Victorian Spring

    About the Cambridge University Press Bookshop Cambridge University Press Bookshop opened in 1992, but the shop itself has been around for a great deal longer and selling books all the while; since 1581, in fact. Passing from hand to hand over the centuries, 1 Trinity Street was taken over in 1846 by Daniel and Alexander […]

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  • 19 Mar 2018

    Edna Longley on The Cambridge Companion to Irish Poets

    This blog post features a speech from Edna Longley who was guest speaker at a recent launch for The Cambridge Companion to Irish Poets, held at No Alibis bookshop in Belfast.

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  • 6 Dec 2017
    Dracula
    Roger Luckhurst

    Let the Companion to Dracula In

    In this blog post Roger Luckhurst, editor of The Cambridge Companion to 'Dracula', explores the various adaptations and critical reception of Bram Stoker's famous Gothic novel 'Dracula'

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  • 22 Nov 2017
    Andrew Frisardi

    Editing and translating Dante

    My aim in editing and translating Dante’s Convivio (or “Banquet”) has been to make an edition that provides nonspecialist Dante enthusiasts and students with all they need to explore this work of Dante’s middle period, which he composed circa 1304–7, between his youthful work the Vita nova and his masterpiece the Divine Comedy. To realize […]

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  • 22 Aug 2017
    Emilie Morin

    Beckett’s Political Imagination

    This book was a long time in the making – the research and writing took about ten years – and the ideas that gave rise to it go back even further, to the first time I read Beckett (nothing glamorous: this was a chance encounter involving a rainy holiday and a box of books left […]

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