Tag Archives: Eighteenth Century Music
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Simon P. Keefe
I have always been fascinated by the imposing Pestsäule (Plague Column) in Vienna, erected by Emperor Leopold I soon after the plague epidemic of 1679 that killed as many as 75,000 people. Situated on the Graben, Vienna’s most famous thoroughfare, it attracts little attention from the hoards of tourists eager to walk from St Stephen’s […]
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Sarah Day-O'Connell
“Bombardment of Vienna on the night of the 12th of May [1809],” from the collections of the Ira F. Brilliant Center for Beethoven Studies, San José State University.
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Alison DeSimone, Matthew Gardner
What can musical benefits tell us about the ecology of performance in eighteenth-century Britain? Why did musical benefits become such an integral part of a performer’s work in the eighteenth century? How similar were benefits for performers to those for charities? What did musical benefits look like across Britain, in comparison with those in London? […]
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Ruth Tatlow
It was during my undergraduate years in the 1980s that I stumbled across numbers in music. It was fashionable at the time to ridicule anything that smacked of number symbolism, and I joined the fun. However, the analyst in me decided that a rational destruction of the evidence could have a more lasting effect than […]
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Ruth Tatlow
As part of our Great Figures and Leaders promotion we've asked Ruth Tatlow, author of Bach's Numbers, why Bach is still so important and what makes him a great figure?
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Simon P. Keefe
I have always been fascinated by the imposing Pestsäule (Plague Column) in Vienna, erected by Emperor Leopold I soon after the plague epidemic of 1679 that killed as many as 75,000 people. Situated on the Graben, Vienna’s most famous thoroughfare, it attracts little attention from the hoards of tourists eager to walk from St Stephen’s […]
Read More
-
Sarah Day-O'Connell
“Bombardment of Vienna on the night of the 12th of May [1809],” from the collections of the Ira ...
Read More
-
Alison DeSimone, Matthew Gardner
What can musical benefits tell us about the ecology of performance in eighteenth-century Britain? Why did musical benefits become such an integral part of a performer’s work in the eighteenth century? How similar were benefits for performers to those for charities? What did musical benefits look like across Britain, in comparison with those in London? […]
Read More
-
Ruth Tatlow
It was during my undergraduate years in the 1980s that I stumbled across numbers in music. It was fashionable at the time to ridicule anything that smacked of number symbolism, and I joined the fun. However, the analyst in me decided that a rational destruction of the evidence could have a more lasting effect than […]
Read More
-
Ruth Tatlow
As part of our Great Figures and Leaders promotion we've asked Ruth Tatlow, author of Bach's Numbers...
Read More
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