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Music, Theatre & Art

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  • 7 May 2020
    Amanda Eubanks Winkler

    Early Modern ‘Musicals’

    A few years ago, I saw my daughter perform in her school musical, Singing in the Rain. I had performed in many such shows in my youth, and watching her I vividly remembered my own experiences singing, dancing, and acting in roles that were meant for adults, performances that sometimes went well (I’m quite proud […]

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  • 9 Apr 2020
    Marcus Collins

    ‘It Was Fifty Years Ago Today’: The Anniversary of The Beatles’ Break-Up

    It was fifty years ago, on 10 April 1970, that Paul McCartney announced the break-up of the Beatles. That the end of the Beatles came so soon after the end of the 1960s helped to cement the association between the decade and band. An optimistic perspective on the relationship between the 1960s and the Beatles […]

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  • 19 Mar 2020
    Helma Kaldewey

    A People’s Music: Jazz in East Germany, 1945-1990

    Imagine. It’s 1965, you’re at home in on Prenzlauer Berg, the Berlin Wall is visible from your window, and you’re having friends over to your flat. Someone brings the latest Thelonious Monk record, smuggled across the border from the West, and everyone gathers round in excitement. You could go to jail for this, you realize—after […]

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  • 18 Feb 2020
    David Wiles

    The Art of Acting: What Performers Owe to Antiquity

    Acting is an elusive art, because – unlike for example a painting, sculpture, poem or score – an actor’s performance cannot be held in the hand, and is not available to pin down for scientific analysis. Yet it is an art, like the art of playing the piano. In the language of the ancients, acting […]

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  • 6 Feb 2020

    Long Live Beatlemania

    The following text is excerpted from chapter 8 of The Beatles in Context (ed. by Kenneth Womack), ‘Beatlemania,’ by Melissa Davis. Beatlemania: biːt (ə) lˈmeɪnɪə/ From Gr (noun) mania (ma’-ni-a)mānēə meaning madness or frenzy. Extreme enthusiasm for the Beatles pop group, as manifested in the frenzied behaviour of their fans in the 1960s. Synonyms: madness, […]

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  • 5 Feb 2020
    Alison DeSimone, Matthew Gardner

    Who Benefits?

    What can musical benefits tell us about the ecology of performance in eighteenth-century Britain? Why did musical benefits become such an integral part of a performer’s work in the eighteenth century? How similar were benefits for performers to those for charities? What did musical benefits look like across Britain, in comparison with those in London? […]

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  • 6 Jan 2020
    Sally Barnden

    Photography, Shakespeare, and a princess in a pond

    One afternoon at Osborne House on the Isle of Wight in the summer of 1896, Louise Margaret, Duchess of Connaught, took this photograph of her niece, Helena Victoria, swimming on her back. The photograph was pasted into an album of family photos—holiday snaps from the 1890s, a decade in which photography became much easier to […]

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  • 9 Dec 2019

    William Shakespeare and Cambridge University Press: A History

    William Shakespeare was born just thirty years after the founding of Cambridge University Press, yet it was another three hundred years before the Press started printing his works. Since then, we have published his plays continuously in various forms. In January, the Cambridge editions of Shakespeare’s complete works – and much more besides – will […]

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