“What is there new to say about nineteenth-century Haydn and Mozart reception?” a musically-inclined friend asked me, with a glint in his eye, when I mentioned my book a few years ago. I started my project with two hunches: that near-universal assumptions about Haydn’s nineteenth-century reputational “fall” are based on an overly narrow consideration of […]
Read MoreNandini Pandey (author of The Poetics of Power in Augustan Rome, 2018) stepped out with Jennifer Stager (Seeing Color in Classical Art, 2022) for a walk around the Johns Hopkins University campus in Baltimore, MD and a conversation about Stager’s new book. NP: Tell me about your book. What are some of the big questions […]
Read MoreThe Renaissance theorist and architect Leon Battista Alberti imagined houses as living beings: when they are happy they welcome you to their ‘bosom’, the central hall; when they are badly sited they feel humiliated, ‘enjoying no dignity’ and ‘taking no pleasure’. Gendered as feminine, the building loves to ‘gaze out’ at her surrounding landscape, ‘both […]
Read MoreThe medieval Mediterranean was a sea of exchange of cultures, religions, commodities, and worldviews. With a focus on monumental and panel painting, Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean probes issues of cultural transmission through a comparative and interdisciplinary perspective. It is a product of almost ten years of research; it began as […]
Read MoreWhen I lived in Germany, I was spoilt by choice so far as opera was concerned. I was in an area that had three large theatres separated by two rivers and all very close to one another. I certainly wasn’t alone in having such great access to music and theatre, as Germany has more theatres […]
Read MoreAround 1248, the merchants of Flanders submitted a complaint to the French king Louis IX about the malfeasance of customs agents at the Franco-Flemish border at Bapaumes. Among the specific complaints regarding their overreaching exercise of power is the anecdote of a young man from Bruges who was travelling with 28 headless and tailless herrings, […]
Read MoreArchitecture and Material Politics in the Fifteenth-century Ottoman Empire stems from my research on Ottoman architecture, which I began in summer 2014, shortly before the publication of my first book, Rebuilding Anatolia after the Mongol Conquest. That book addresses buildings located in Turkey, which were built for Muslim patrons in the second half of the […]
Read MoreIn the opening to The Decameron (c. 1350), Boccaccio described how the ten young people who would become storytellers in his book met in a Florentine church during the height of the Black Death: “it chanced […] that there foregathered in the venerable church of Santa Maria Novella, one Tuesday morning when there was well-nigh […]
Read More“What is there new to say about nineteenth-century Haydn and Mozart reception?” a musically-inclined friend asked me, with a glint in his eye, when I mentioned my book a few years ago. I started my project with two hunches: that near-universal assumptions about Haydn’s nineteenth-century reputational “fall” are based on an overly narrow consideration of […]
Read MoreNandini Pandey (author of The Poetics of Power in Augustan Rome, 2018) stepped out with Jennifer Stager (Seeing Color in Classical Art, 2022) for a walk around the Johns Hopkins University campus in Baltimore, MD and a conversation about Stager’s new book. NP: Tell me about your book. What are some of the big questions […]
Read MoreThe Renaissance theorist and architect Leon Battista Alberti imagined houses as living beings: when they are happy they welcome you to their ‘bosom’, the central hall; when they are badly sited they feel humiliated, ‘enjoying no dignity’ and ‘taking no pleasure’. Gendered as feminine, the building loves to ‘gaze out’ at her surrounding landscape, ‘both […]
Read MoreThe medieval Mediterranean was a sea of exchange of cultures, religions, commodities, and worldviews. With a focus on monumental and panel painting, Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean probes issues of cultural transmission through a comparative and interdisciplinary perspective. It is a product of almost ten years of research; it began as […]
Read MoreWhen I lived in Germany, I was spoilt by choice so far as opera was concerned. I was in an area that had three large theatres separated by two rivers and all very close to one another. I certainly wasn’t alone in having such great access to music and theatre, as Germany has more theatres […]
Read MoreAround 1248, the merchants of Flanders submitted a complaint to the French king Louis IX about the malfeasance of customs agents at the Franco-Flemish border at Bapaumes. Among the specific complaints regarding their overreaching exercise of power is the anecdote of a young man from Bruges who was travelling with 28 headless and tailless herrings, […]
Read MoreArchitecture and Material Politics in the Fifteenth-century Ottoman Empire stems from my research on Ottoman architecture, which I began in summer 2014, shortly before the publication of my first book, Rebuilding Anatolia after the Mongol Conquest. That book addresses buildings located in Turkey, which were built for Muslim patrons in the second half of the […]
Read MoreIn the opening to The Decameron (c. 1350), Boccaccio described how the ten young people who would become storytellers in his book met in a Florentine church during the height of the Black Death: “it chanced […] that there foregathered in the venerable church of Santa Maria Novella, one Tuesday morning when there was well-nigh […]
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Hélène Lecossois is Professor of Irish Literary Studies at Université de Lille, France. Specialising in Irish theatre and performance, Hélène is the author of Endgame de Samuel Beckett (2009), and of various essays in Beckett Today, Études irlandaises, Sillages critiques and the 2014 edited collection Ireland, Memory and Performing the Historical Imagination. She was 2014 recipient of the Moore Institute Fellowship (NUI Galway).
Manchester Metropolitan University
Holly Buttimore is a Humanities and Social Sciences Commissioning Editor for Academic Journals at Cambridge University Press
University of Chester
Heather Hirschfeld is a Professor of English at the University of Tennessee.
Associate Professor in English and Creative Writing, University of Reading
Williams College
Yeats and European Drama
The History of the Erard Piano and Harp in Letters and Documents, 1785–1959
The Manual of Musical Instrument Conservation
Music and the Exotic from the Renaissance to Mozart
The Cambridge Companion to Jewish Music
The Cambridge Introduction to Theatre and Literature of the Absurd
Michelangelo: The Artist, the Man, and His Times
Vocal Authority
A History of Singing
Opera
Publicist
Senior Inbound Marketing Executive
The Cambridge Companion to American Science Fiction
The Cambridge History of Magic and Witchcraft in the West
Ben Jonson, Volpone, and the Gunpowder Plot
Ovid and Hesiod
The Cambridge Wagner Encyclopedia
Viewing America
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