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Music, Theatre & Art

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  • 7 Mar 2025
    Johanna D. Heinrichs

    Palladio’s Hybrid: A Renaissance Villa between Country and City

    On Wednesday, the 29th of October 1567, the Venetian patrician Francesco Pisani lay mortally ill in his country house in Montagnana, 50 miles southwest of Venice. He summoned his long-time notary, Giovanni Maria Corradin, to draft a codicil to his final will. Corradin called six witnesses to Pisani’s bedside: a cast of characters including his […]

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  • 7 Feb 2025
    Genevieve Warwick

    Looking in the Mirror of Early Modern Art

    What is a painting?  An application of coloured pigments to a flat surface, be it a wall, a canvas, or a panel.  My book poses this question in historical perspective, to ask: what was a Renaissance painting understood to be?  The answer is that a painting, defined as representation, was understood as a mirror-image of […]

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  • 22 Aug 2024
    Björn Heile

    Is Musical Modernism Western?

    This year’s edition of the annual World New Music Days by the International Society for Contemporary Music (ISCM) took place on the Faroe Islands. Alongside the host nation, the opening concert featured works by composers from South Africa, Norway, Lithuania, the Czech Republic, Slovakia and China.[1] In the previous year, when the organisation celebrated its […]

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  • 11 Dec 2023
    Roseen Giles

    Listening to the Unexpected: Monteverdi and the Marvellous

    How do we learn to listen? Like most worthwhile things, listening well takes time, practice, and perseverance. While it might seem like good music ought to reveal its fruits intuitively to curious listeners, even the most visceral and immediate connection to music is a complex interchange of expectations and experiences. The most skilled composer guides […]

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  • 4 Dec 2023
    Henrike Christiane Lange

    Giotto’s Scrovegni Chapel in the Arena of History

    Giotto’s Arena Chapel and the Triumph of Humility takes its lead from three features of the famous monument that each engage the question of time, material, and immateriality: 1. the painted, faux marble panels that line the interior of the chapel, 2. the faded polychrome relief figures of the virtues and vices in the lowest […]

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  • 26 Oct 2023
    Hélène Lecossois

    Performance, Modernity and the Plays

    Why engage with a canonical playwright? Isn’t there enough work to do trying and recovering the works of playwrights who have all but been erased from the canon of Irish theatre history and whose plays have not made it past the stage of the premiere production? Do the plays of J. M. Synge still speak […]

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  • 14 Sep 2023
    Alexandra Wilson

    Puccini in Context

    Image Credit: Elvira Puccini, Giacomo Puccini, Antonio Puccini Archivio Storico Ricordi, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons Giacomo Puccini is one of the world’s most famous and beloved opera composers and rarely a season goes by when any given opera company will not stage one or another of his works. You might be forgiven […]

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  • 8 Sep 2023
    Jonas Tinius

    An Anthropology of German Theatre by Jonas Tinius

    State of the Arts is an account of the unique German public theatre system through the prism of a migrant artistic institution in the western post-industrial Ruhr region. It analyses how artistic traditions have responded to social change, racism, and cosmopolitan anxieties and recounts how critical contemporary cultural production positions itself in relation to the […]

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