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For well over half a century, Caryl Churchill’s plays have been enriching the landscape of British theatre. As David Hare astutely observed on her seventieth birthday celebrations held at the Royal Court in 2008: ‘The principal question you can ask of any artist is: what difference would it have made if they’d never existed? Would […]
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To mark this year's International Federation for Theatre Research conference, we asked members of the Theatre Research International editorial board to delve into the archives for articles that shed light on the relationship between performance studies and theatre history.
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